Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a leading publication published the headline “Insurance CEO Shot Dead In Manhattan”. The report went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was truly cold and shocking. But numerous US citizens had a different response: for those who had been denied health insurance or struggled with medical bills, the news felt like a release. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company designed to increase earnings on your health.”
Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with prosecutors seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that explores broader themes, too.
Understanding the Person
A writer for a major publication, Richardson spent years researching the communities that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their subject matter ranged from climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Furthermore, Richardson analyzes his correspondence with influencers and authors as well as his many updates on social media. These original materials, meant to paint a portrait of Mangione, instead present him as an amorphous figure. Richardson tries to justify this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “refuse” and “remove”, engraved on the ammunition left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to deny coverage. He looks at the indication Mangione had a chronic back condition, which could have been a reason for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to eventually either dominate, or destroy us, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are conversations with the principal actors. Richardson asked, of course, but never expected time with Mangione himself. And his family stated explicitly that they had decided against speaking to the media in advance of the trial. Another flashing-yellow omission is any detailed data about the victim, Thompson, though we learn that under his guidance, from 2021 to 2023, UHC profits increased by 33%.
Ambiguous Findings
By book’s end, the reader has little insight of Mangione’s character or what could have driven his alleged crimes. Worse still, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been exposed to a subtle approval of an assassination. In the book’s closing remarks, Richardson presents his mythical interpretation: “We’ve entered a time of fables, the mad king, the beast in the labyrinth and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is certain: as Mangione’s defence team works to have accusations that could lead to the ultimate sentence dismissed, any reference of myths, folk heroes, champions or monsters will not be allowed in court in support for this handsome young man with a “features reminiscent of classical art” facing judgment for murder.